![]() The lens contains three XA elements, an aspherical element, two Super ED, and three ED elements. Otherwise, there’s a danger of distorting any vertical lines. But make sure you use the electronic level on your camera to keep the horizon horizontal. You can also use it for interiors if you need a few flattering shots of your Airbnb rental. Outside, you can get dramatic leading lines and distorted-perspective views of skyscrapers. Sony launched the FE 12-24mm F2.8 GM ultra-wide-angle lens as the “world’s widest f/2.8 zoom.” It’s suitable for astrophotography, landscapes, and architecture. So you might be able to avoid buying another lens. Choosing a 24-70mm or 28-75mm gives you much more flexibility. But it’s easy to tilt your camera accidentally and throw off all your vertical lines!Ī 35mm lets street photographers take people shots without getting too close. That may be a good thing if you can control it. But they usually lead to more distortion. Ultra-wide-angle lenses start at around 12 mm. You just need to think about the focal length range. Or they’re great for close-up wildlife shots with large animals like elephants. Wide angles are essential for landscape photography. And it’s compatible with the following Sony lenses for Sony a7III: It’s only 20 mm long and weighs 4.4 oz (126 g). You get increased vignetting in the corners of your images.īut it’s a great option.That meant I had to buy the Sony FE 600mm f/4 GM OSS lens and attach my 1.4x teleconverter if I wanted more reach. Sony doesn’t (currently) make anything that long. I’m a wildlife photographer, and I used to take two-thirds of my shots with a Nikon 800mm lens. That’s especially true for lenses with a long focal range. The Sony SEL E Mount 14TC 1.4x Teleconverter gives you even more flexibility with your E-mount lenses. It might also mean a deterioration in image quality and focusing speed. Or it won’t work with the autofocus (AF) system due to compatibility issues. The second doubles the focal length but “costs” two stops.īuying the “wrong” teleconverter might mean you can’t even use it with your lens. The first multiplies the focal length of your lens by 1.4 at the expense of a stop of light. There are two general types of teleconverters-1.4x and 2.0x. If needed, you can read our article on Sony lens abbreviations first. The best lenses and sharpest lenses are in Sony’s premium G Master (or Gold Master) range. But one Sigma lens and one Tamron lens do make our list. So the best approach is to use “native” lenses designed for the Sony a7III. That’s inconvenient and means you won’t get the most out of your camera. To be clear, you can still use a prime lens or zoom lens that doesn’t have the E-mount. But first, I recommend the best teleconverter for Sony lenses. It includes the best zoom lenses for Sony a7III. I’ve sorted the list by minimum focal length, from the shortest to the longest. Let’s look in detail at the best lenses for the Sony a7III. ![]()
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